
E da Boss returns with a new single that bridges multiple eras of dance music, blending the groove of classic disco and boogie with the raw energy of heavy drum breaks. The result is a modern take on B-Boy Disco: a sound rooted in the early days of hip-hop block parties that’s supercharged for today’s dance floors, DJs, and breakers.
Built around infectious basslines, shimmering synths,and punchy drums, the track channels the spirit of late-70s and early-80s club culture while delivering the rhythmic intensity of B-Boy culture. It’s a record designed equally for the club, the cypher, and the DJ set.
E Da Boss, a legendary figure in the Bay Area music scene, returns with a fresh offering that reaffirms his status as a torchbearer of modern funk and disco. Known for his work as one half of the acclaimed soul duo Myron & E, The Pendletons, and Lucid Paradise, E Da Boss continues to push the boundaries of groove-driven music with his latest release. Both cuts on this release, “That’s The B.S”. and “The Get Down” both feature the Disco-Teks which is Reed Michaels, Bob Menacho, and Teeko.
A That's That B.S.
B The Get Down (feat. Sizmo)
That's That B.S.
Produced by E da Boss & Reed Michaels
Drums Reed Michaels
Bass Bob Menacho
Congas Jonny Drop
Keys Teeko
The Get Down (feat. Sizmo)
Produced by Sizmo, E da Boss & Reed Michaels
Synth & Synth Bass Sizmo
Drums Reed Michaels
Additional Keys Dave Koor
Vocals Ishtar & Leo Vidal
Recorded in San Francisco, London, & Richmond, CA
Mixed & Mastered by Teeko
Conceived & Executive Produced by E da Boss
Art Cody Moore
A: That's That B.S.












